While The Producers (1968) brought Mel Brooks to public attention, it was this western sociological satire that cemented his place in cinematic history.  And with good reason.

     Bart (Cleavon Little), a black railroad worker, is transplanted into the sheriff of Rock Ridge in an attempt by Hedley Lamar (Harvey Korman) to undermine Bart's position and lead the railroad right through the town.

     Along the way we meet a colorful cast that includes alcoholic gunslinger Jim "The Waco Kid" (Gene Wilder), German burlesque dancer Lili von Shtupp (Madeline Kahn), idiotic assistant Taggart (Slim Pickens) and slow-witted brute Mongo (Alex Karras).

     Never before in motion pictures has a broken 4th wall been so amusing to watch.  And, while the gags come by the barrel, it's the humorous slant on race and politics that become the focal point.  Or, as Bart's would-be assassin put it, "Mongo only pawn in game of life."

 

     What Makes This Movie Cool:  Gravity With Hilarity.  Usually, when conveying a socio-political statement on celluloid, one tends to think they will be browbeaten into the concept conveyed.  Not Blazing Saddles.  Mr. Brooks realized that the audience can enjoy a strong message AND a strong coffee and bean fart.  Speaking of which, never watch this on basic cable.